This is a new joined chest with two drawers, just finished recently. Oak, with white pine for the chest lid and floor, drawer bottoms and rear panels. I based it loosely on an example at Historic Deerfield. The original was made in the Connecticut River Valley c. 1680.
This pattern is unlike most from the period, in that it meanders across the framing members. I laid out the scrolling vine motif with a compass; the leaves that fill in the spaces are free-handed with various curves of the gouges.
The central panel also uses a compass for some of its layout; the balance is again freehand. The shapes of the carving gouges determine the shapes of the leaves.
Like all of my joined work, the oak was riven, or split, from the log, and hewn with a hatchet and then planed at the bench. This work is best done while the oak has a high moisture content. This comes as a surprise to many people who think that green woodworking is confined to chairmaking. I first started as a chairmaker and never would have thought it possible to do this sort of work in green wood. But a carefully chosen straight-grained oak, when split radially, will work up beautifully and result in boards that are very stable. The benefit of working this way is the ease of handling the green oak, it cuts very easily when wet; once it has lost its moisture, it requires much more effort to work the stock.
More on that process later.